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The wood Fry uses to make kitchen spoons is so expensive that the 45-year-old spoonmaker sometimes sells his scraps to other artists. Fry's spoons glow with their own colors. He uses no finishes on the wood. He doesn't have to with spoons made from burled maple, cherry, old cypress, black walnut, butternut, zebra wood, purple heart, bloodwood, Osage orange, canary wood, ziricote, cocobolo and ebony. A trained artist, Fry had been too busy making a living to pursue art seriously. Until four years ago, he had a furniture business and worked construction. Cheri Fry, the spoonmaker's wife, is a speech pathologist in the Livingston Parish school system and an artist herself. She'd watched as Fry collected wood with which to make a guitar. "My knees hurt from working construction," Fry said. "I was upstairs feeling sorry for myself when Cheri said, 'Why don't you make spoons with some of that wood?'" Cheri's kitchen is home to several of her husband's spoons. One sunny morning, the spoons Fry sells at festivals around the state were on the kitchen table displayed in old suitcases. "There's not a spoonmaker's manual," Fry said. "It's trial and error." Fry's first effort showed promise. Four years later, his spoons are lighter, the edges of the spoons' bowls thinner and the handles simple and straight or whimsically twisted. Fry's spoons aren't cheap. Small ones start around $20. Ladles and larger spoons can cost a couple of hundred dollars, depending on the wood. "For what people spend on kitchens these days, they want spoons that look nice hanging up," the carver said. Fry's spoons are made to be used. While he carves styles that sell best, he's open to suggestions from customers. "I could sell a hundred oven pulls at a show," Fry said. "The ones you buy in stores look like paint stirrers." One of Fry's spoons looks and feels like iron, but it's a hard dense wood that gives off a natural, dark glow. Some of his spoons are made from reclaimed white oak, rendered black from being on the bottom of the Mississippi River for years. "The river coughs up stuff all the time," Fry said. "I've seen cherry tree logs 40 feet long." His more exotic stock Fry buys from Africa, and Central and South America. Some of the woods cost hundreds of dollars a board foot. "Ziricote is a wood from Central America that has just been embargoed," Fry said. "You won't see any newly cut ziricote for 10 years, and the price will go sky high.' Each piece of wood holds a surprise for the carver. "The grain of primo zebra wood is straight lines of tan and brown," Fry said. Fry runs a saw blade through the wood one way and gets lines that look like loopy bull's eyes. He runs the blade through a different way and gets rings. "I remove a ton of wood with a band saw," he said. "I use a gouge for spoons with deep bowls. Mostly, it's a lot of sanding." A spoon made from the crotch of a piece of black walnut is cream-colored sap wood that blends into dark, heart wood. Other stock comes from houses built in the 1800s. "People like spoons with a story," the carver said. Fry divides his time between making spoons in a rambling wood house he's building in the woods outside Denham Springs to selling his wares at shows and festivals. "I take my girls with me -- Maggie, 11, Camille, 10, and Cecile, 8." Fry's Web site is a work in progress, but you can visit it at http://www.spoonmill.com. *********************************************** Couples, families browse handiwork Soon he started carving spoons out of all kinds of wood, from the cypress that's native to his home state of Louisiana to South American wood that releases a fine silica dust that would damage his lungs if he didn't wear a mask. "There are over 1,500 species of trees, and I aim to carve a spoon out of every one of them," Fry said. Business was brisk at the Frys' booth. ######################################### Art in the Park a successMonday, July 11, 2005 Christopher Fry is not sure what prompted him to sit down one day and start carving spoons. He collected the wood to build a guitar, but instead, he started carving a cooking spoon at his wife's request. It took two weeks and a pack of Band-Aids to finish, Fry said. That was 4 1/2 years and thousand spoons ago. On Sunday, Fry watched from his tent as a constant stream of customers shuffled through hundreds of spoons on display at the 31st annual Art in the Park. Jen Jones, marketing director for the Steamboat Springs Arts Council, called Fry's spoons one of the new favorites at this year's Art in the Park. The Louisiana artist said his work has become so popular that he quit his job as a construction manager two years ago and has been carving spoons full time since then. Seventy percent of his spoons "never see the inside of a pot," Fry said. But he insists they were built to be used and that each one is intended to fit someone's grasp. Some of the wood he uses comes from his 40 acres in Denham Springs, La. Other spoons are made of wood found along the shores of the Mississippi River. "We live 40 miles from the Mississippi River, and every kind of log in the world washes up in Baton Rouge," he said. Fry heard about the Steam�--boat show from friends in northern Louisiana who have attended in past years. Fry and his family are making the trip part of their summer vacation, and they intend to tie their stop in Steamboat into a series of art shows ranging from Taos, N.M. to Spearfish, S.D. By Sunday afternoon, Jones was calling Art in the Park a success, with the weather holding up all weekend and 135 vendors in place. The show had about 20 local vendors, most of whom were new. With a mixture of jewelry, paintings, photographs, metal yard work and clothing, Jones also said the vendors represented a lot of diversity. The number of visitors also was high. "It is one of the best shows we have had in years as far as attendance and just the quality of the show," she said. -- To reach Christine Metz call 871-4229 or e-mail cmetz@steamboatpilot.com
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